Rubens: The Tarantino of his time?

Rubens was the Quentin Tarantino of his day. Or at least that’s how the Bozar in Brussels is presenting the 17th century Flemish painter in its latest exhibition.

The comparison is made because of Rubens’ almost cinematographic depiction of aggression, fighting and barbaric scenes. Many of the Flemish master’s works are sensational: loud, forceful, and sometimes violent, created in the service of Catholic propaganda and absolutist rulers.

Yet Rubens also had a sensual side to his work, as seen in his informal family portraits, landscapes and pastoral scenes, peasant dances and gardens of love.

It is these contrasting aspects of his work that are highlighted in the exhibition ‘Sensation and Sensuality: Rubens and His Legacy’.

The exhibition comprises more than 40 works by Rubens grouped around six themes - violence, power and lust on the one hand, compassion, elegance, and poetry on the other. 

Alongside the Rubens works are paintings by other artists - ranging from Constable to Klimt and Rembrandt to Renoir - that highlight the way in which the Flemish master has had a lasting influence on artists from the 17^th century through to the present day.

Bozar Centre for Fine Arts, Brussels

Until January 4. 

Image caption: 

Peter Paul Rubens, Pan and Syrinx, 1617, Oil on panel, 40 x 61 cm, Staatliche Museen, Kassel, Photo Ute Brunzel

 

The Metamorphosis of Mons

We’re packed into stands on opposite sides of a vast exhibition hall on the outskirts of Mons, Belgium. There are no windows and it’s all rather dark and gloomy. There are no signs of creativity. In fact, were it not for the guest list I was holding that stated the presence of leading artists, museum directors, choreographers and architects – presumably sitting somewhere in the dark cavernous hall - I could well have wondered if I’d walked into the wrong event.

©OlivierDonnet

Two hours later and my doubts had been totally dispelled. The huge space had been filled with more creativity than I have ever before seen at a press conference. It felt like a mini opening ceremony for London 2012, particularly when an open-top double decker bus full of British quirkiness arrived in the exhibition hall - think the Queen waving from the front of the upper deck, techno music blaring out, umbrellas, Sherlock Holmes, policemen on stilts…! But no, this was not the prelude to the Olympic Games, it was the launch of the cultural programme for Mons as European Capital of Culture next year: Mons 2015.

The launch event included the tricky choreography of several local buses arriving in the hall, each illustrating a different Mons 2015 theme through the words lit up on its destination board and the people and props that emerged from each vehicle. 

One bus was filled with sunflowers and had the words ‘I’m called Vincent. And you?’. Vincent Van Gogh lived for a time in the Mons area and it was there that he decided to become an artist. Cue visits to the house where he lived and an exhibition on the sources of his inspiration. Another bus said ‘I sing for Mons. And you?’ Standing on the roof was a singer dressed as the Renaissance composer Orlando di Lassus, who was born in Mons in the 1500s. One of the related events will be 700 amateur and professional choral singers gathering on the steps of the town’s Sainte-Waudru collegiate church. And as for the British double-decker, it represented London, which will be one of eight global cities featured in La Maison Folie (the Madness House).

In total Mons will organise some 1,000 cultural and artistic activities throughout the year. Many big Belgian names have got involved, including choreographer Frédéric Flamand, who founded the Charleroi Danses company, artist Arne Quinze, renowned for his large outdoor installations, and the designer and illustrator François Schuiten, best known perhaps for his comic strip work.

There will be no shortage of development projects happening in the town, with five new museums opening in Mons and a brand new train station designed by the architect Santiago Calatrava – and set to rival another of his creations, the futuristic train station in another Walloon town, Liège.

In its own words, Mons plans to undergo a metamorphosis. The town wants Mons 2015 to bring about positive change that will last well beyond 2015. As the outgoing Prime Minister Elio Di Rupo explained in his opening speech, Mons has undergone difficult economic times in recent decades with the collapse of the industrial age. Mons 2015 will enable the former coal-mining area to turn the page and start to write a new and prestigious chapter, he said. “Mons 2015 will not be an end in itself; it will be the start of a new era,” said Di Rupo, who is also the official mayor of Mons.

©DavidBormans

So, as the six local buses, which by the close of the launch were all parked at one end of the hall, said on their destination boards:

In 2015

I am from Mons

She is from Mons

He is from Mons 

Everyone is from Mons

And you?

Marguerite Duras on a World Cup night

The literary evening got underway against an unusual background: that of the honking of horns and jubilant cheering as Belgium celebrated a World Cup victory on the streets of Brussels outside. Inside, journalist Laure Adler quipped to the packed hall how touched she was that so many people had turned up to listen to her on the same evening as a national football match.

The Frenchwoman had her Belgian audience on side and didn’t lose them for the duration of her interview about the life and work of the French writer Marguerite Duras, who would have been 100 this year.

Adler, whose 1998 biography of Duras has been reprinted this year, explained how she found Duras to be a writer who pushed the boundaries not only in literature but also in cinema and theatre. Duras is a writer she admires greatly and with whom she has identified ever since reading Un barrage contre le Pacifique at a particularly low moment in her life. Duras was also a writer who Adler had the opportunity to meet on several occasions.

Not everyone has always been so admiring of Duras. Adler mentioned the intellectuals Duras hung around with, many of whom mocked her. In fact, when Adler first approached Gallimard with her idea for a biography of Duras, the response was “You’re mad! No-one is interested in that!”

But Gallimard did publish Adler’s biography and in the intervening years has reprinted Duras’s works in its Folio paperback editions, opening the author up to a new generation of young readers. In China, the author of The Lover and Hiroshima mon Amour is the most read foreign writer!

Back to the drawing board

Adler’s biography on Duras took a while to see the light of day, not least because no sooner had she finished her first draft than Duras entrusted her archives to the Institut Mémoires de l’Édition Contemporaine (IMEC), providing a mass of new source material for the biographer. Adler threw her 700-odd pages straight in the bin and made a fresh start.

If the tales that Adler touched on during her public interview in Brussels this week are anything to go by – Duras’s childhood in Vietnam, her World War II experiences in France, her marriages and affairs, her alcoholism, her relationship with her French teacher mother and her absent father…- the story of the writer’s life almost sounds like a novel in itself.

The evening's interview was interspersed with readings of Duras’s work as well as audio clips of Duras herself speaking, with images of the late author projected on two large screens throughout. The event, organised by Brussels’ international literature house Passa Porta, provided a fascinating insight into a woman whose work I first studied on a film course at university. Given that it’s her centenary year, maybe this is the year to revisit her work; there will certainly be plenty of opportunities to do so.

Copyright Bellone 2011-2014

I cannot wrap up this post without mentioning the venue of this week’s event: La Bellone. What a wonderful architectural discovery in the centre of Brussels! From the main street (Rue de Flandre 46) the building isn’t particularly striking, but enter and the main corridor opens on to a covered courtyard dominated by a magnificent 17^th century façade. Built by Cosyn, the same architect who designed the Maison des Boulangers (Roi d’Espagne) on Brussels’ central square, this hidden gem is today a listed building.

KlaraFestival's 10th birthday party

Last night saw the start of the KlaraFestival's 10th birthday party - and what a way to kick off the two-week celebration! The audience was treated to a modern and contemporary programme played by one of the world's top orchestras, the Royal Concertgebouw Amsterdam, and one of the best known soloists in the classical world, the Chinese pianist Lang Lang.

The organisers promised a festival of fireworks and if the opening concert is anything to go by, then concert goers are not going to be disappointed.

Lang Lang was clearly the main draw of the evening, and it was his performance of Ravel's concerto for piano and orchestra in G that was chosen to round off the Saturday night programme. Jazzy, jaunty, exhilarating and exciting, there can't have been an audience member who didn't leave the hall with a smile on his or her face. It felt about as far from the clichéd image of a stuffy classical concert as you can get.

And in a way that's what the KlaraFestival is about. It's a festival that prides itself on original performances of classical, romantic, modern and contemporary music; it aims to convey the power of music through new performances. And that's why I look forward to the festival so much each year. Oh and if it doesn't feel like a year since the last festival, that's because it isn't: as of 2014 the organisers have switched the festival to early spring rather than autumn.

Also on the programme last night were John Adams' The Chairman Dances (1985), Shostakovich's Chamber Symphony opus 110a (1960) and Human Voices Only (2014), the brand new commission for the Royal Concertgebouw composed by Belgium's Kris Defoort, who was in the Bozar concert hall and came on stage to thunderous applause from his home crowd.

Belgian talent is a particular feature of this 10-year anniversary festival, with other well-known names starring throughout the two weeks including Philippe Herreweghe, Bernard Foccroulle, the Baroque Orchestra B'Rock and Muziektheater Transparant.

For the full festival programme, including those concerts that will be broadcast live on Klara radio, take a look here. Enjoy!

We're at the Brussels Book Fair!

 

'What's Cooking in Belgium' is making an appearance this weekend at the Brussels Book Fair - or La Foire du Livre de Bruxelles to give it its proper name. As luck would have it, two of the themes at the 2014 fair are UK authors and cooking, so we seem to fit in rather well! 

Two book signings are planned:
Palais Gourmand (in Hall 4), Sunday 23rd Feb. 3pm-4pm
Waterstones (Hall 1, Stand 127), Sunday 23rd Feb, 4pm-5pm

And there's a radio broadcast, featuring yours truly...:
RTBF La Première (Les Belges du bout du monde - La Première RTBF)
Sunday 23rd Feb, 9:10-10am

If you're in Brussels, be sure to pop by the fair and say hello. 

(Address: Tours et Taxis - nearest metro, Ijser; or free shuttle bus from Gare du Nord)