The KlaraFestival is underway in Brussels! The theme running through this year's festival, which is largely one of classical music but also incorporates dance, theatre and film, is melancholia. As the film director Lars von Trier said, "I see melancholia as a vitamin that we all need. In all western art there is something of melancholia, otherwise something's missing."
To bring this theme of melancholia to life, three composers feature heavily in the two-week KlaraFestival: Britain's John Dowland, born 450 years ago and one of the most influential musicians from the Elizabethan period, his compatriot Benjamin Britten whose centenary is being widely celebrated this year and the Russian master Dmitri Shostakovich, a contemporary and close friend of Britten.
Last night Shostakovich and Britten were on the programme in a performance by the Mahler Chamber Orchestra conducted by the young and lively Teodor Currentzis. The concert opened with Britten's Serenade for Tenor, Horn and Strings, which was a first for me and throughout which I was totally captivated by the tenor Ian Bostridge's interpretation. After the interval the focus switched to Shostakovich, first a thrilling Piano Concerto No. 2 played by Alexander Melnikov followed by an energetic Symphony No. 9.
Earlier in the week I went to hear ‘Missa sopra Ecco si beato giorgno for 40 and 60 voices’ by Florentine composer Alessandro Striggio, the largest known polyphonic work from the entire Renaissance period. Still to come is a date with Quartet lab, a string quartet that is said to contrast established repertoire with contemporary works and improvisation.
There are also plenty of other offerings on the programme, including classical musicians interpreting Radiohead in a night club and a series of film classics all with a melancholic edge. Take a look at the KlaraFestival website to see if there's anything that grabs your attention. And if you can't make it in person, many of the concerts are broadcast on the radio.
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