Showing posts with label Culture. Show all posts
Showing posts with label Culture. Show all posts

Thursday, 9 October 2014

The Metamorphosis of Mons

We’re packed into stands on opposite sides of a vast exhibition hall on the outskirts of Mons, Belgium. There are no windows and it’s all rather dark and gloomy. There are no signs of creativity. In fact, were it not for the guest list I was holding that stated the presence of leading artists, museum directors, choreographers and architects – presumably sitting somewhere in the dark cavernous hall - I could well have wondered if I’d walked into the wrong event.

©OlivierDonnet
Two hours later and my doubts had been totally dispelled. The huge space had been filled with more creativity than I have ever before seen at a press conference. It felt like a mini opening ceremony for London 2012, particularly when an open-top double decker bus full of British quirkiness arrived in the exhibition hall - think the Queen waving from the front of the upper deck, techno music blaring out, umbrellas, Sherlock Holmes, policemen on stilts…! But no, this was not the prelude to the Olympic Games, it was the launch of the cultural programme for Mons as European Capital of Culture next year: Mons 2015.

The launch event included the tricky choreography of several local buses arriving in the hall, each illustrating a different Mons 2015 theme through the words lit up on its destination board and the people and props that emerged from each vehicle. 

One bus was filled with sunflowers and had the words ‘I’m called Vincent. And you?’. Vincent Van Gogh lived for a time in the Mons area and it was there that he decided to become an artist. Cue visits to the house where he lived and an exhibition on the sources of his inspiration. Another bus said ‘I sing for Mons. And you?’ Standing on the roof was a singer dressed as the Renaissance composer Orlando di Lassus, who was born in Mons in the 1500s. One of the related events will be 700 amateur and professional choral singers gathering on the steps of the town’s Sainte-Waudru collegiate church. And as for the British double-decker, it represented London, which will be one of eight global cities featured in La Maison Folie (the Madness House).

In total Mons will organise some 1,000 cultural and artistic activities throughout the year. Many big Belgian names have got involved, including choreographer Frédéric Flamand, who founded the Charleroi Danses company, artist Arne Quinze, renowned for his large outdoor installations, and the designer and illustrator François Schuiten, best known perhaps for his comic strip work.

There will be no shortage of development projects happening in the town, with five new museums opening in Mons and a brand new train station designed by the architect Santiago Calatrava – and set to rival another of his creations, the futuristic train station in another Walloon town, Liège.

In its own words, Mons plans to undergo a metamorphosis. The town wants Mons 2015 to bring about positive change that will last well beyond 2015. As the outgoing Prime Minister Elio Di Rupo explained in his opening speech, Mons has undergone difficult economic times in recent decades with the collapse of the industrial age. Mons 2015 will enable the former coal-mining area to turn the page and start to write a new and prestigious chapter, he said. “Mons 2015 will not be an end in itself; it will be the start of a new era,” said Di Rupo, who is also the official mayor of Mons.

©DavidBormans
So, as the six local buses, which by the close of the launch were all parked at one end of the hall, said on their destination boards:

In 2015
I am from Mons
She is from Mons
He is from Mons 
Everyone is from Mons
And you?



Friday, 22 March 2013

The Sami make history in Brussels

Earlier this year I went to Inari in the far north of Finland, home to the Sami parliament. While I was there I was lucky enough to meet several Sami people, including one of the parliament's Vice-Presidents, Tiina Sanila-Aikio (pictured below). I learned a lot about the Sami culture, including how the indigenous Sami people are seeking to preserve their language and traditions.

© European Union 2013

By a stroke of luck, the Sami parliament happened to come to my hometown of Brussels this week where they made history by holding a session in the European Parliament. As you can see from the photos, they came attired in their traditional dress as they sought to remind the EU of the importance of fighting to preserve minority languages and cultures.

© Anna Jenkinson
©Anna Jenkinson


The invitation to Brussels came from the MEP Nils Torvalds who in welcoming his Sami colleagues said, "We don't need to go very far back in history to see that the Sami people didn't have many rights in Finland...You should continue your fight. You have to save the Sami languages for your children. Without the Sami languages, the Sami culture won't be there in 100 years. We hope it will be there as long as Finland or Europe."

© European Union 2013



Sunday, 3 June 2012

Manifesta comes to Belgium


Waterschei mine, location of Manifesta9
©Anna Jenkinson

My destination: a former coal-mining complex in Genk (Limburg province, Belgium). My reason: Manifesta, the roving European Biennial of Contemporary Art, which opened at the site this weekend and runs until 30 September.

I say contemporary art, but in fact there was as much history and heritage on show as there were new creations. From coal sacks hanging from the ceiling (as devised by Marcel Duchamp for the 1938 International Surrealism Exposition in Paris) to bookshelves filled with miners' employment booklets, from sculptures made of coal to a colourful, cascading installation of fabric by Chinese artist Ni Haifeng, the exhibition takes the visitor through centuries of industrialisation to the present day.

Ni Haifeng, Para-Production, 2012
©Anna Jenkinson
Inspired by the location's coal-mining heritage, the curators sought to underline the interaction between contemporary art, historic art and heritage. The result is a well-integrated exhibition with a strong thematic focus and plenty of resonances between archive documents, historical material and contemporary installations. The legacy of Manifesta 9, according to the organizers, will be an emphasis of how deeply embedded culture is in our society.


This year's biennial, unlike its predecessors, is taking place in one location: the beautifully renovated Waterschei mine. Officially known as the Andre Dumont mine after the man who discovered coal in Limburg, the site was completed in 1924, remaining a working mine for several decades before closing its doors in 1987.