The KlaraFestival is underway in Brussels! The theme running through this year's festival, which is largely one of classical music but also incorporates dance, theatre and film, is melancholia. As the film director Lars von Trier said, "I see melancholia as a vitamin that we all need. In all western art there is something of melancholia, otherwise something's missing."
To bring this theme of melancholia to life, three composers feature heavily in the two-week KlaraFestival: Britain's John Dowland, born 450 years ago and one of the most influential musicians from the Elizabethan period, his compatriot Benjamin Britten whose centenary is being widely celebrated this year and the Russian master Dmitri Shostakovich, a contemporary and close friend of Britten.
Last night Shostakovich and Britten were on the programme in a performance by the Mahler Chamber Orchestra conducted by the young and lively Teodor Currentzis. The concert opened with Britten's Serenade for Tenor, Horn and Strings, which was a first for me and throughout which I was totally captivated by the tenor Ian Bostridge's interpretation. After the interval the focus switched to Shostakovich, first a thrilling Piano Concerto No. 2 played by Alexander Melnikov followed by an energetic Symphony No. 9.
Earlier in the week I went to hear ‘Missa sopra Ecco si beato giorgno for 40 and 60 voices’ by Florentine composer Alessandro Striggio, the largest known polyphonic work from the entire Renaissance period. Still to come is a date with Quartet lab, a string quartet that is said to contrast established repertoire with contemporary works and improvisation.
There are also plenty of other offerings on the programme, including classical musicians interpreting Radiohead in a night club and a series of film classics all with a melancholic edge. Take a look at the KlaraFestival website to see if there's anything that grabs your attention. And if you can't make it in person, many of the concerts are broadcast on the radio.
A place to read about “all things cultural” that cross my path and a place for you to share your thoughts. Hopefully the blog will capture a slice of my life and a slice of yours.
Friday, 6 September 2013
Tuesday, 30 April 2013
What's Cooking in Belgium: it's out!
It's written, published and launched. Yes, What's Cooking in Belgium: Recipes and stories from a food-loving nation, written by yours truly and Neil Evans, is a reality…and there's far more to it than chocolate, beer and Brussels sprouts!The book is a compilation of stories and recipes, grouped thematically, which together tell the story of Belgium and its love of food. Illustrating the recipes are fabulous photographs, for which neither Neil nor I can take any credit. For those we have the food stylist Hilde Oeyen and the photographer Diane Hendrikx to thank.
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| Our book in the front window! |
For more information about the book, please take a look at the publisher's website. For now, the easiest places to order the book are directly from the publisher, at Waterstones Brussels or simply get in touch with me.
Below are a couple of photos from our Brussels launch. Today Brussels, tomorrow...

Friday, 22 March 2013
The Sami make history in Brussels
Earlier this year I went to Inari in the far north of Finland, home to the Sami parliament. While I was there I was lucky enough to meet several Sami people, including one of the parliament's Vice-Presidents, Tiina Sanila-Aikio (pictured below). I learned a lot about the Sami culture, including how the indigenous Sami people are seeking to preserve their language and traditions.
By a stroke of luck, the Sami parliament happened to come to my hometown of Brussels this week where they made history by holding a session in the European Parliament. As you can see from the photos, they came attired in their traditional dress as they sought to remind the EU of the importance of fighting to preserve minority languages and cultures.
The invitation to Brussels came from the MEP Nils Torvalds who in welcoming his Sami colleagues said, "We don't need to go very far back in history to see that the Sami people didn't have many rights in Finland...You should continue your fight. You have to save the Sami languages for your children. Without the Sami languages, the Sami culture won't be there in 100 years. We hope it will be there as long as Finland or Europe."
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| © European Union 2013 |
By a stroke of luck, the Sami parliament happened to come to my hometown of Brussels this week where they made history by holding a session in the European Parliament. As you can see from the photos, they came attired in their traditional dress as they sought to remind the EU of the importance of fighting to preserve minority languages and cultures.
![]() | ||
| ©Anna Jenkinson |
The invitation to Brussels came from the MEP Nils Torvalds who in welcoming his Sami colleagues said, "We don't need to go very far back in history to see that the Sami people didn't have many rights in Finland...You should continue your fight. You have to save the Sami languages for your children. Without the Sami languages, the Sami culture won't be there in 100 years. We hope it will be there as long as Finland or Europe."
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| © European Union 2013 |
Sunday, 9 December 2012
Nordic Dance Makes Waves in Bruges
December's here again and so is December Dance, an annual festival of contemporary dance in Bruges. This year's theme is 'Nordic Waves', and as the name suggests the focus is on dancers and choreographers from Finland, Sweden, Norway, Iceland and Denmark.
The festival opened on Thursday evening with a triple bill from the Finnish choreographer Tero Saarinen. While each of the three pieces was very different in character, it was striking how each of them used light in an innovative way to complement the dance and music: Westward ho! had a backdrop of the aurora borealis (Northern lights), the visual focus in Scheme of Things was a large rectangular board of lights that at times resembled disco lights and at others the light of fire and other elemental forces, while in Vox Balaenae a prism suspended from the ceiling played light games with the dance floor and the soloist's costume.
Can't wait until Tuesday's performance which promises to be a showstopper with choreography by the Helsinki Dance Company's Kenneth Kvarnström, combining contemporary dance with live classical music and costumes from leading Swedish and Finnish fashion designers.
Check out the full programme here. The festival runs until December 16.
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| Westward Ho! choreography: Tero Saarinen photo: Sakari Viika |
The festival opened on Thursday evening with a triple bill from the Finnish choreographer Tero Saarinen. While each of the three pieces was very different in character, it was striking how each of them used light in an innovative way to complement the dance and music: Westward ho! had a backdrop of the aurora borealis (Northern lights), the visual focus in Scheme of Things was a large rectangular board of lights that at times resembled disco lights and at others the light of fire and other elemental forces, while in Vox Balaenae a prism suspended from the ceiling played light games with the dance floor and the soloist's costume.
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| VOX BALAENAE
choreography: Tero Saarinen photo: Sami Kulju |
Check out the full programme here. The festival runs until December 16.
Sunday, 9 September 2012
Heavenly music at the KlaraFestival
4 Elements - 4 Seasons - Sommer (Dvd Extract) from Stephan Talneau on Vimeo.
The Akademie fur Alte Musik Berlin orchestra last night gave a performance of baroque music like I've never seen before. On the programme were 'The Elements' by French composer Jean-Fery Rebel and 'The Four Seasons' by Antonio Vivaldi, both pieces composed in the early 18th century and both brought to life not only by the musicians but also by a dancer.
The performance, which was part of the annual KlaraFestival in Belgium, was full of life, energy and movement. At times I was absorbed in the music, at others mesmerized by the choreography. Sometimes I found myself chuckling at the cheeky gestures, at other times quite simply wowed by the interaction of music and dance.
During Rebel's work, the choreographer and dancer Juan Kruz Diaz de Garaio Esnaola played with fire and danced in water as he interpreted the music of 'The Elements'. During Vivaldi's 'The Four Seasons', he wooed the solo violinist through the first signs of spring, the heat of summer, autumnal leaves and winter snowflakes. It really was a truly original and uplifting performance.
Another great concert earlier in the festival, whose theme this year is 'Knockin' on Heaven's Door', was 'Kosmos'. Have a read of my review in the Wall Street Journal.
The KlaraFestival runs until September 14, so there's still time to catch a concert, be it in Brussels, Antwerp or Bruges.
Sunday, 3 June 2012
Manifesta comes to Belgium
| Waterschei mine, location of Manifesta9 ©Anna Jenkinson |
My destination: a former coal-mining complex in Genk (Limburg province, Belgium). My reason: Manifesta, the roving European Biennial of Contemporary Art, which opened at the site this weekend and runs until 30 September.
I say contemporary art, but in fact there was as much history and heritage on show as there were new creations. From coal sacks hanging from the ceiling (as devised by Marcel Duchamp for the 1938 International Surrealism Exposition in Paris) to bookshelves filled with miners' employment booklets, from sculptures made of coal to a colourful, cascading installation of fabric by Chinese artist Ni Haifeng, the exhibition takes the visitor through centuries of industrialisation to the present day.
| Ni Haifeng, Para-Production, 2012 ©Anna Jenkinson |
This year's biennial, unlike its predecessors, is taking place in one location: the beautifully renovated Waterschei mine. Officially known as the Andre Dumont mine after the man who discovered coal in Limburg, the site was completed in 1924, remaining a working mine for several decades before closing its doors in 1987.
Monday, 6 February 2012
Villa Empain: Art Deco Brussels Beauty
Villa Empain, on an embassy-lined avenue in Brussels, is a beautiful Art Deco residence that could have been lost forever had the Boghossian Foundation not stepped in and restored it to its former splendour. To read the rest of my article about Villa Empain, published in Flanders Today, click here. For some beautiful photos to whet your appetite, look no further than below.
| © Europa Nostra |
| © Europa Nostra |
| © Europa Nostra |
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