Gilbert and George come to Brussels

Gilbert and George are probably the most recognised artists in Britain, the interviewer suggests, pointing out that there wouldn’t be many a London cabbie who didn’t know who they were. “Very sweet, isn’t it,” says George deadpan, pausing for dramatic effect and then adding “For one reason or another”.

The gags and the lines just keep coming. Sometimes it’s one half of the duo doing the talking, sometimes they do a quick back and forth and sometimes they speak simultaneously and then burst out laughing. Listening to Gilbert and George talk about their art and their life is an absolute delight.

Smartly dressed in light brown suits and tan leather shoes (they are keen to point out that they don’t always dress the same, just similarly), the pair, now in their 60s, give an impression of formality and correctness. So when George embarks on a tale or two in his plummy English accent, and then rounds it off with coarse language or innuendo, the comic effect is brilliant.

The two work seamlessly together, the one almost merging into the other as they finish off each other’s sentences and constantly talk in the first person plural. On their work: “We don’t see it as work, we can say what we want, it’s an enormous freedom and privilege”. On their daily walks around London: “We walk all the time, you are feeling it non-stop, what is going on. We always go towards ideas that interest us.” On their evening ritual of eating the same dish at the same Turkish restaurant: “We don’t waste our brains reading menus”.

George, born in England, and Gilbert, born in Italy, met in 1967 at St. Martin’s School of Art where they were both studying sculpture. “We just drifted together,” George says. “We were alone”, too “freakish” to become art teachers, adds Gilbert. And so from their home in the East End of London, the duo began creating their “art for all”. And more than 40 years later, they still live in the East End and they are still creating.

A selection of their latest work, the Jack Freak Pictures, opens today (and runs until Oct. 31) at the Baronian Francey gallery in Brussels, one of seven European galleries showing different selections of the series. The entire collection, made up of 153 new artworks and created with the help of just one assistant (“he’s only allowed to scan!” Gilbert emphasises), will be exhibited at the Bozar in Brussels in the autumn of 2010.

Gilbert and George were interviewed by Michael Bracewell at a public event at the Bozar on Sept. 8 2009.