Emerging from Words and Music

The final essay is almost complete, the finishing line in sight. For the last eight months I have been studying ‘Words and Music’ at the Open University and a whole new world has opened up to me. I’ve discovered German lieder, had the opportunity to study the importance of Wagner’s Tristan und Isolde and explored how John Milton used the biblical story of Samson and Delilah for his dramatic poem Samson Agonistes, which in turn was adapted by George Frideric Handel for his oratorio Samson.

Having both a literary and musical background, for me the joy of this course was its interdisciplinary nature, the opportunity to analyse how text and music work together and how they enhance or detract from each other. My favourite components of the course were those dealing with classical music, but the module covered everything from South Asian art songs to Broadway musicals. There were even short sections on The Beatles, rap artists (I can now recognise a couple of Eminem songs!) and Sicilian storytellers.

The course allowed me to look in more depth at some areas that I was already familiar with and discover others that were completely new to me. I reacquainted myself with literary theory, explored new ideas in musical theory, brushed up on reading texts critically and learnt how to listen more closely to music using a score. In short, I was reminded what a great intellectual stimulus academic study is and what a joy it is to be learning more about a topic that you’re passionate about.

So as I do my final checks before sending off my last essay, on Virginia Woolf’s short story The String Quartet and Franz Schubert’s Death and the Maiden string quartet, my mind is already wondering what to study next. A Masters in Music is one possibility. Decision time is mid-December, so I still have a few more weeks to think it over.

In the meantime, I hope to find more time to write about my “cultural excursions,” which have recently included a performance of Shakespeare’s Macbeth by the UK-based Cheek by Jowl theatre company - a world premiere in the Belgian town of Namur no less! - and a concert of New Orleans music by the Fondy Riverside Bullet Band. Macbeth has inspired composers to write music on the play’s subject, and the New Orleans music inspired a text about war, loss and celebration that was combined with the music for their recent performance: the links between words and music seem to be everywhere!